12 The sixth angel poured his bowl on the great river Euphrates, and its water was dried up, to prepare the way for the kings from the east.
The sixth bowl causes the water in the great river Euphrates to dry up to prepare the way for kings from the east. (By the way, if these bowls are describing literal plagues, then where did this water come from?)
We should recall that the sixth trumpet also depicted warfare as an instrument of God’s judgment. There in 9:13-19 we saw 200 million troops crossing the Euphrates river to march against Rome. But the war of the sixth trumpet was only a partial judgment — only a third were killed. The war of the sixth trumpet was horrifying, but how much worse must be the war of the sixth bowl!
Recall from our discussion in Chapter 9 that “Crossing the Euphrates” was a vivid picture representing the threat of military power. In the Old Testament, the Assyrians and Babylonians crossed the Euphrates river to attack the Jews. Rome feared an invasion from the Parthians across the Euphrates. The Euphrates symbolized a barrier or a deterrent to external invasion, and that barrier has now been removed.
The drying up of the waters is a common sign of God’s power. In Exodus 14:21, God showed his power by drying up the Red Sea. In Joshua 3:17, God showed his power by drying up the Jordan river. In Jeremiah 51:36, God threatened to destroy Babylon by drying up her sea. In Zechariah 10:11, God threatened to destroy Egypt by drying up the Nile. Here, in Revelation 16, we see God drying up the Euphrates river to allow his armies to advance upon Rome even more easily than they did in Chapter 9. There will be nothing to stop them or even slow the down.
It is possible that this image depicting the threat of invasion is recalling an event from history. As we know, in Revelation, Babylon — a past enemy of God’s people — is used to depict Rome — a then current enemy of God’s people. Here we see a dried up river being used to defeat figurative Babylon, and history tells us that ancient, literal Babylon was once conquered by a dried up river.
Last week, we mentioned that historical Babylon fell to the Persians without a shot being fired. Instead, as we discussed, there is evidence that certain priests of the false god Marduk thought the current rulers in Babylon were impious and preferred instead the Persians under Cyrus. Thus, we are told that the people, led by the priests, opened the gates to Cyrus, who was then greeted as a liberator.
But according to Herodotus, there is more to those strange events. He tells us that when the Persians captured Babylon they did so by drying up the Euphrates river, which flowed right through the center of Babylon. They diverted the river into a lake and entered the city through the dry channel of the river. There were huge brass gates in the walls that flanked the river Euphrates in its passage through the city, and these gates provided access to water for the citizens and could be closed as a defense if needed. But it was these gates that were left open allowing access to the Persian troops after Cyrus had reduced the water level of the river. Just as the actual city of Babylon had fallen by a literal drying up of the Euphrates, the figurative Babylon would fall by a figurative drying up of the Euphrates.
Our frequent comparisons between ancient Babylon and Rome are vital to properly understanding the book of Revelation. Those who argue that the cataclysms in Revelation must literally occur need to explain why the same cataclysms pronounced against ancient Babylon did not literally occur. Read, for example, the judgment of Babylon in Jeremiah 50-51 and especially 50:3, 39-40 and 51:1-2, 25-26, 36-37, and 41-43 — and remember that Babylon fell without a shot being fired! Is there then a historical contradiction in the Bible? Not at all! In fact, Isaiah prophesied how Babylon would literally fall in Isaiah 45:1, and he even gave the name of the conqueror, Cyrus, before Cyrus was even born! “Thus saith the LORD to his anointed, to Cyrus, whose right hand I have holden, to subdue nations before him; and I will loose the loins of kings, to open before him the two leaved gates; and the gates shall not be shut.”
The vivid language in Jeremiah 50-51 is a symbolic description of Babylon’s fall. The key verse is Jeremiah 51:64 — “Thus shall Babylon sink, and shall not rise from the evil that I will bring upon her: and they shall be weary.” From an earthly perspective, the end of Babylon may not have looked like much, but that was not the case at all from God’s perspective. The prophecies of Isaiah and Jeremiah had been fulfilled. Babylon was finished as a world power. Her day was done. That was the state of affairs for ancient Babylon described figuratively in Jeremiah 50-51 — and that is the same state of affairs described by the same language against a different enemy of God’s people in Revelation.
Who are the kings from the east in verse 12? Some say that these are the allies of Rome who are pictured as rushing in to her aid. But the text indicates that God dried up the river to help the invading kings from the east. Does that mean they are on God’s side? No. It means only that God is using them for his own purposes as he judges Rome. In fact, verse 14 may show these same kings preparing for battle against God.
We should likely view these kings as we did the kings of the sixth trumpet. That is, they most likely depict the Parthians, whom Rome feared would attack them from East. William Barclay writes:
The greatest enemies of Rome, the one nation she could not subjugate, were the Parthians who lived beyond the Euphrates. Their cavalry was the most dreaded force of fighting men in the world. For the cavalry of the Parthians to come sweeping across the Euphrates was a thought to strike terror in the bravest heart.
Did Parthia literally conquer Rome? No. Was an attack from Parthia something that Rome feared and that could be used to figuratively depict some great catastrophe against them? Absolutely, and that is how it is used here. None of the previous bowls literally occurred and this bowl is no different. The purpose of the bowls is to paint a picture of compete and total destruction and judgment, and that is exactly what this bowl conveys.
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